The Curse Of The Starving Class – Monologue (Wesley)

A monologue from the play by Sam Shepard

Wesley is cleaning up shards of wood from the door his father broke down the night before during a drunken outburst.

Measure for Measure by William Shak...
Measure for Measure by William Shakespeare as a Dark Comedy

As his mother fries him some bacon for breakfast, he recalls the images going through his mind as he lay in bed listening to the splintering of the door.

WESLEY

(As he throws wood into wheelbarrow.) I was lying there on my back. I could smell the avocado blossoms. I could hear the coyotes. I could hear stock cars squealing down the street. 

I could feel myself in my bed in my room in this house in this town in this state in this country. I could feel this country close like it was part of my bones.

I could feel the presence of all the people outside, at night, in the dark. Even sleeping people I could feel. Even all the sleeping animals. Dogs. Peacocks. Bulls.

Even tractors sitting in the wetness, waiting for the sun to come up. I was looking straight up at the ceiling at all my model airplanes hanging by all their thin metal wires. 

Floating. Swaying very quietly like they were being blown by someone’s breath. Cobwebs moving with them. Dust laying on their wings. Decals peeling off their wings. My P-39. 

My Messerschmitt. My Jap Zero. I could feel myself lying far below them on my bed like I was on the ocean and overhead they were on reconnaissance.

Scouting me. Floating. Taking pictures of the enemy. Me, the enemy. I could feel the space around me like a big, black world. I listened like an animal. My listening was afraid.

Afraid of sound. Tense. Like any second something could invade me. Some foreigner. Something indescribable. Then I heard the Packard coming up the hill.

From a mile off I could tell it was the Packard by the sound of the valves. The lifters have a sound like nothing else. Then I could picture my dad driving it. Shifting unconsciously.

Downshifting into second for the last pull up the hill. I could feel the headlights closing in. Cutting through the orchard. I could see the trees being lit one after the other by the lights, then going back to black. 

My heart was pounding. Just from my dad coming back. Then I heard him pull the brake. Lights go off. Key’s turned off. Then a long silence. Him just sitting in the car. Just sitting.

I picture him just sitting. What’s he doing? Just sitting. Waiting to get out. Why’s he waiting to get out? He’s plastered and can’t move. He’s plastered and doesn’t want to move.

He’s going to sleep there all night. He’s slept there before. He’s woken up with dew on the hood before. Freezing headache. Teeth covered with peanuts. Then I hear the door of the Packard open.

A pop of metal. Dogs barking down the road. Door slams. Feet. Paper bag being tucked under one arm. Paper bag covering “Tiger Rose.” Feet coming. Feet walking toward the door.

Feet stopping. Heart pounding. Sound of door not opening. Foot kicking door. Man’s voice. Dad’s voice. Dad calling Mom. No answer. Foot kicking. Foot kicking harder.

Wood splitting. Man’s voice. In the night. Foot kicking hard through door. One foot right through the door. Man cursing. Man going insane. Feet and hands tearing.

Head smashing. Man yelling. Shoulder smashing. Whole body crashing. Woman screaming. Mom screaming. Mom screaming for police. Man throwing wood.

Man throwing up. Mom calling cops. Dad crashing away. Back down driveway. Car door slamming. Ignition grinding. Wheels screaming. First gear grinding. Wheels screaming off down hill.

Packard disappearing. Sound disappearing. No sound. No sight. Planes still hanging. Heart still pounding. No sound. Mom crying soft. Soft crying. Then no sound. Then softly crying.

Then moving around through house. Then no moving. Then crying softly. Then stopping. Then, far off the freeway could be heard.

Read the play here