Boy On Black Top Road – Monologue (Donna)

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A monologue from the play by Dale Wasserman

Donna is talking to a boy, who may be an imaginary remembrance of her brother.

Donna (eighteen)

All my life I’ve been a coward. There’s reason, I guess . . . plenty reason to be scared. What’s bad is that it makes you cruel.

You turn cruel when somebody probes that little nest of fear you hide inside. You lash out with your claws, and you wound and you hurt whoever sees inside you.

You can’t bear that anyone should see that you’re not cocky, you’re afraid. But you are — of so many things. Of being hated . . . or loved.

Of failure . . . and maybe of success. Of growing old. We’re afraid of the dark before the lights come on. Then we’re afraid of the light, what it might show.

Afraid to die. Maybe more afraid of living. But of all the stuff there is to fear, I guess the worst is loneliness. (A pause.) . . . Sure as hell, company doesn’t help.

If you want to find real Grade-A blue ribbon loneliness, try a crowd. Even a crowd of one. I have . . . oh, God, so many times.

I’d be alone for a while, until the ache was right up in my throat and I’d be hollering without a sound, saying, “Know me. Discover me.

I’m here, inside — somebody, please.” But they couldn’t hear my silent voice, so after a while I’d be saying, “Make love to me.”

They didn’t ask much. They didn’t get much. (She giggles.) You wouldn’t know about that. The big bad sex-express. “Love me, love me — well, if you can’t love me, OK, f*** me.”

It’s like a dance . . . all the moves have been rehearsed, you just follow the music. (Singing, raucously.) “Circle round and dosey do, All change partners, off we go!” (Quietly again.)

And that’s how it goes. Time after time after time. Reach out for love and find you’ve been stuck with sex. Booby-trapped by your own hormones!

Read the play here

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